Last weekend of the summer ends with a fine rhythm towards the autumn, surpassing last week gross of 8,8M€, and setting a 50% higher than last year numbers. The solidity of the current weekend is given by a combination of powerful new releases and stable adult and familiar movies.
This week's number one has gone red. A bright red, almost diabolic, still very funny. Hellboy. The Golden Army has surpassed 2M€ (2,97M$) in 400 sites, which make an average of 5.150€ (7.570$) for screen.
Universal did not expand and oversize the release beyond 400 copies, learning from the cold reception of The Dark Knight. Smartly, the major focused on this number of copies to push them without excess, clearly looking for its target core: teen-agers and fantastic fans.
This release is heavily different from the first Hellboy, both in the dating (less competitors are showing in September) and in the power of the director, Del Toro, with a fresh success in its pocket (Pan's Labyrinth) which enlarge the movie target to more adult people (35-40 years old).
For now, the final forecast should be of 5,8-6,3M€ (8,5-9,2M$), which is 62-67% better than the first release.
Hellboy. The Golden Army has been detrimental to other teen-targeted movies such as Zohan, The Dark Knight (both falling more than 40%) and the new Star Wars. The Clone Wars, which falls short of results.
Zohan sums 1.09M€ (1.6M$) this week, a fine gross for last week's surprise, cumulating 4.33M€ (6.3M$) so far, which makes this movie Sandler's second most remunerative release in Spain, after Anger Managment, which will soon be surpassed. The final forecast is 6M€ (8.82M$).
The Dark Knight falls 44%, cumulating 9.4M€ (13.8M$).
Los girasoles ciegos (The Blind Sunflowers) has been the most important Spanish release during the last months, fulfilling the expectations and reaching the fifth position in the box office with 650’000€ (955’500$) in 192 sites only, obtaining the second best average of the week, 3.390€ (4.976$).
No doubt these numbers confirm the charm of the proposal: actors, director and novel, which is why the movie was strongly promoted, with a strong publicity in TV programs, radio, press and magazines.
The movie runs for a final gross of 2’5M€ (3’6M$), which would make it the fourth best release of the year so far.
The other five new releases of the week were poor, none of them with an average beyond 2.000€.
The only outstanding one has been Hace mucho que te quiero (I’ve loved you so much), obtaining 72.000€ (105’840$) in 38 sites, with a good average of 1.921€ (2’785$). A proper gross similar to other dramas released in the past in only a few screens.
Fin de semana del 29 al 31 de agosto
El último fin de semana de verano termina con muy buen ritmo para el otoño superando los 8’8 millones de euros de la pasada semana, y situándose casi un 50% por encima de las cifras de hace un año. La solidez de las cifras de este año se debe a la potencialidad de los títulos de estreno y al buen mantenimiento de películas de corte adulto y familiar.
El número uno de esta semana se ha teñido de rojo. De un rojo intenso, casi diabólico, pero de gran simpatía. Hellboy. El ejercito dorado ha logrado superar los 2M€ (2’97M$) en unas correctas 400 pantallas, que suponen cerca de 5.150€ (7.570$) por cine.
Universal no ha ido a expandir y sobredimensionar la cinta más allá de las 400 copias, aprendiendo algo de la fría recepción de El caballero Oscuro. Muy hábilmente se ha concentrado en ese número de copias para potenciarlas y no molestarlas en exceso unas con otras, buscando claramente su target core: el adolescente-juvenil y amante del fantastic.
Las diferencias entre el primer Hellboy y este son muy importantes, tanto el dating como el nombre de Del Toro han cambiado mucho. Septiembre está más vacío de competencia y su director viene de un éxito como El laberinto del Fauno, que permite ampliar el target hacia edades más adultas (35-40 años).
De momento las previsiones finales podrían estar entorno a los 5’8-6’3M€ (8’5-9’2M$), lo que sería un 62-67% mejor que la primera película.
Hellboy ha perjudicado bastante a los otros filmes de target juvenil como son Zohan, El caballero Oscuro (ambas han caído por encima del 40%) y el estreno de Star Wars. The clone wars, que se queda muy corta de resultados.
Zohan suma este fin de semana 1’09M€ (1’6M$), una cifra correcta para la sorpresa de la pasada semana y acumula 4’33M€ (6,3M$), lo que la convierte en la segunda película más taquillera de Sandler en España después de Ejecutivo Agresivo, pero por poco, ya que en breve superará a esta. Podría terminar sobre los 6 millones (8’82M$).
El caballero Oscuro cae otro 44% hasta sumar 9’4M€ (13’8M$).
Los girasoles ciegos ha sido el estreno español más importante de los últimos meses, ha cumplido las expectativas y se coloca en quinta posición con 650’000€ (955’500$) en solo 192 salas, logrando la segunda mejor media de la cartelera, 3.390€ (4.976$).
Sin duda, la cifra demuestra los ganchos de la propuesta: actores, director y novela. Y para ello se ha creado una potente presencia en medios escritos y mucha publicity en programas de televisión, radio, prensa y revistas.
La cinta apunta a una cifra final cercana a los 2’5M€ (3’6M$), lo que es el cuarto mejor resultado para una cinta Española en lo que llevamos de año.
Los otros cinco estrenos de la semana han ido algo peor y en ningún caso superan los 2.000€ de media.
De todos ellos solo destaca Hace mucho que te quiero que en 38 salas ha logrado 72.000€ (105’840$), lo que da una media de 1.921€ (2’785$). Cifra correcta y similar a otros estrenos dramáticos de pequeña exhibición.
7 comments:
I have long suspected that some of the people who voted for Donald Trump thought it would be funny to put a doofus in the White House.
Haven't seen The Dark Knight, but isn't Howard Stern still on the air somewhere? For years, his show promoted this brand of juvenile smart-assery.
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The Spanish box office continues to be a dynamic and diverse landscape, offering audiences a rich array of cinematic experiences from both local and international filmmakers. With a vibrant film industry that embraces a wide range of genres and styles, Spanish cinema has solidified its position as a cultural force both domestically and on the global stage. Recent releases have showcased the creativity and talent of Spanish filmmakers, garnering critical acclaim and box office success.
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